The mark's art signs itself now, so no splash adds a line under it — the
picker, the smoke-test spinner, the PIN prompt, the failure notices, the
scan and the settings offer all drop the footnote they were passing, and
nothing draws the notice twice. The written About pages keep their {copyright}
colophon: that is a page of prose, not a screen with the mark on it.
Moebius spells an untouched cell as a NUL, which a DOS console draws blank and
Rich measures as nothing at all — so every one swallowed a column and slid the
rest of its row leftwards, eighteen of them on the worst line. They are spaces
in the file now, and the loader translates any that come back (with codepage
437's hard space) so re-exporting the art can't reintroduce the drift.
Those NULs were also the only reason git guessed the file was binary. With them
gone, .gitattributes has to say so outright, before core.autocrlf starts
rewriting CRLFs that are part of the canvas.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Jean-Pierre MartineauandClaude Opus 5
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