One braille cell was four coarse levels lit in one colour. It is now a
filled block whose two channels answer two different questions.
Colour answers "roughly how much" from across the room: a lit
foreground over its own darker ground of the same hue — light green on
green over half, yellow on brown over a quarter, light red on red
below. The braille fill inside the block answers "exactly how much" on
a second look: each dot row lights left before right, so one cell
carries eight rungs, one per 12.5% of charge. The band holds still
while the dots climb through it, which is what keeps the two readable
as two.
The charging sweep keeps its five whole-row frames and does not colour
itself — a frame of an animation is not a reading, so the band goes on
answering for the real charge underneath it, exactly as the number
beside it does.
That leaves the alarm nothing to say in hue, so it says it in ground:
under 6.25% — half the last dot's worth of charge — the cell alternates
black dots on red with the light red on the bare page. Where every
other cell is filled, a beat with no fill at all is the loudest thing
the palette has. It is drawn a frame at a time because a terminal's own
blink only ever toggles the foreground, and the PicoCalc's framebuffer
console ignores SGR 5 outright — device-checked, along with its want of
bright backgrounds, which is why the grounds are all dim-bank slots.
Neither animation sits behind Platform.effects any more. The header is
rebuilt on the idle tick regardless, so both cost a colour swap in a
frame already being painted, and the one platform the alarm is *for*
was the one platform never drawing it. effects keeps the braille
spinner, which is what it was really gating.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
A picked row folds its node hues to the cursor white so the row reads as one
thing rather than as a name arguing with its own selection. On a path line that
is wrong: there the hue is not decoration on a name, it is what tells one hop
from the next — and what a route graph above the row is cross-referenced by,
its labels being a marker and one byte of hash. Chips were never folded (their
fills are outside the fold's vocabulary), so the bug was the arrow form: every
path line on the PicoCalc, and on any terminal without the powerline glyphs.
PathLine now stamps every shape it mints with PATH_INK, a style that draws
nothing; Text.append_text carries the stamp into the row as a span over the
hops, and the fold skips identity spans lying inside one. So the Message paths
row keeps each hop in the colour its graph label wears, and so do the TX
screen's "Route — via", the trophy board's walk and the feed's sender → recipient
lane. The node detail's Routes tab, which bought this by hand (no cursor base at
all), is untouched.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Teal was still answering three questions it had no business answering. The wordmark's
colour is the app's identity, and it is also a node hue — so a cyan-keyed node could
vanish into the very highlight pointing at it.
- A node's key-derived hue folds to the cursor white on the cursor row. A row is a
column of identities right up until it is the row you are on, and then it is
answering a different question; a hue on it argues with its own selection. Folded
once at the render boundary for any Text whose *base* style is `cursor` (which is how
every list and every screen drawing its own rows already marks it), so no screen has
to remember the rule. `theme.is_identity_style` is node_style read backwards — every
hue a key can mint, on both platforms — and only those fold: the heat of an age, an
SNR reading, a red badge, a path line's chip fills all keep what they were given. So
does the grey of a node no key could place: the highlight knows where you are, not who.
- The reverse-video chip — a dialog's committing button, a running action's Abort, the
arrow-mode composer slot, the editor cursor — is grey. A chip marks where a press
lands. It is chrome, and chrome does not get a hue. Light grey slot 7 on the VT: the
one grey a reverse can put behind text there, and the fill the F-key lane already uses.
- The active sort column's heading and triangle take the same white as the cursor row,
being the same claim one axis over. They were a bare `#22d3ee`, which put a selection
cue back on the node spectrum and, on the console, straight onto the brand's own slot.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
The row `❯` points at borrowed `brand` — so the app's identity ink and
"the row you're on" were the same hue, and worse, teal/cyan is itself a
node hue: a cyan-keyed node's name vanished into its own highlight.
Give the highlight its own name. `cursor` is white on both platforms
(slot 15 on the VT, the top of the bright bank, so the row's bold cannot
promote it further and every dim-slot `not bold` pin inside a highlighted
row goes on meaning what it meant). White sits outside the per-node
spectrum, so it can never collide with an identity; it does share ink
with `you`, which is the accepted cost — spans that set their own colour
keep it over the base, so only unstyled text goes white, and only on the
row already under the reader's eye.
Every surface that draws its own cursor row follows: the select list and
its reorder mode, the feed, chat, routes and actions on the node page,
the composer, records, trace, tx, the walk, the paths screen, the prompt's
suggestions. The composer's insertion-slot chip takes the same white — its
docstring already tied it to "the colour the list cursor below it wears",
and the chip ink was already picked to stay readable on white.
Reverse-video chips keep `selected`: on the VT a reversed white lands on
the light grey the F-key lane already owns, so a white default button
would stop reading as the committing verb.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
A name standing alone above its messages was a coloured word with nothing
to say it was a label — at a glance it read like something someone typed.
It now sits in a chip, and not a chip of its own invention: ui/widgets.
name_chip builds a one-hop PathLine and asks it for its line, so the fill,
the ink, the padding, the rounded cap and the closing point are whatever a
route's segments are wearing today and cannot drift from them. A sender
wears exactly what that node wears as a hop — hue in the fill under dark
ink, the keyless grey where no key places them, and our own messages
headed by the ★ on its neutral grey rather than by the word "you".
Only the group header. An @mention inside a body is part of what was said,
and framing it would put a chip in the middle of a sentence.
Degrading comes free with the borrowing: where the terminal can't draw
separators — the PicoCalc console among them — a path line is arrow text
and one hop is just the name in its hue, which is what a sender label was
before it was framed. The specimen card grows a chips row, which doubles
as a one-hop sample of the route language.
And the unknown sender takes node.unknown rather than muted: one hex apart
here, a whole slot apart on the console, and an unidentified sender is
content you can still act on, not chrome.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
A name standing alone above its messages was a coloured word with nothing
to say it was a label — at a glance it read like something someone typed.
It now sits on a field: the node's own hue as ink on the neutral dark grey
pathline already fills our ★ chip with, closed at both ends by the rounded
caps a path line closes on, or by half blocks where the font has none.
Only the group header. An @mention inside a body is part of what was said,
and framing it would put a chip in the middle of a sentence.
The widget is ui/widgets.name_chip — the ink arrives as whatever style the
caller would have drawn the name in and is *added* to the fill as a Style,
because Rich silently drops "node.unknown on #3f3f46" and renders the name
bare. The console has no field to offer (its one dark grey is slot 8 and
backgrounds stop at 7), so the name draws unframed there, bound on
truecolor like the heat gradient. The specimen card grows a chips row so
both dresses are visible on the acceptance screen.
And the unknown sender takes node.unknown rather than muted: one hex apart
here, a whole slot apart on the console, and an unidentified sender is
content you can still act on, not chrome.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
The three About pages were scaffolding built out of Text() calls, which
made writing them a Python edit and capped what they could ever say. They
are markdown now — meshterm/assets/pages/*.md, drawn by ui/markdown.py
into the app's own language rather than markdown's: # the page's name in
brand, ## a section in the body accent (with the muted · aside), ###
indented with its prose, paragraphs and lists hanging as blocks, quotes
and fences behind a rail that survives wrapping, tables through Rich, and
links that say where they go — nothing is clickable on a framebuffer
console. Two paragraphs are page frame rather than body and sit flush and
muted: the standfirst under the title, the colophon under the closing
rule, which is where the copyright lands.
The pages stay scaffolded on purpose — the placeholders are unchanged —
but filling one in is now editing its .md, and the live package facts
arrive as {version}/{author}/{copyright} so a page still can't drift from
the build it describes.
Being a document earns the screen two things a block never had: its ##
headings are landmarks, so a heading pins while its own prose scrolls
under it and ^PgUp/^PgDn step by them, and the console lane claims
Sect ↑/Sect ↓ on the free F1/F2 pair once a page has more than one
section — dimmed while the whole page fits, since the lane never
advertises a dead key.
Parsing is markdown-it-py (already under Rich, now declared): a real
CommonMark parser, so an author writes ordinary markdown. The md.* styles
are defined in both themes; the new test renders the whole vocabulary at
53 cells and asserts it stays inside the console font and the 16 slots.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
The menu asks "What would you like to do?" and its five sections each
name a doing. "What is this thing, and who made it" is not one, and had
nowhere to go — so it gets the sixth section, the one that names a
subject, sorted last where a reader who has run out of things to do finds
it. Three pages, in the order a stranger asks:
About MeshTerm what this is, where it came from, its terms
About the author the person behind it, on the mesh and off it
Support this project what keeps it going, and the ways to help
Every page is scaffolding: the headings are the settled part, and each
section carries one lowercase muted "placeholder — …" line where its
prose will go. That is the app's own empty-state voice, so an unwritten
page reads as deliberately unwritten rather than as a screen that failed
to load, and filling one in means replacing its placeholder — the screen,
the menu rows and the CLI faces all follow unchanged. What is not a
placeholder is the version, the author and the copyright span: they come
from the package itself, so the About page can never describe a build it
isn't running inside.
The pages act on nothing — no radio, no database, no device — so each
opens straight to its screen with no prompt first, and each keeps a CLI
face (meshterm about / about-author / support) printing the same page to
a shell.
Two new icons, both funnelled for the console: 📖 read/about becomes ¶,
the page-of-prose mark, and 💰 support/donate becomes $.
ScrollScreen earns a derived footer hint on the way through. A read-only
body has only two keys to name, the pager and Esc, so passing "↑↓ PgUp/
PgDn scroll · Esc close" at every call site was both repetition and a lie
on a body that fits — the standing rule is that a footer never advertises
a key that would do nothing. Left unset, it now names the pager only
while the content actually overflows, and takes its Esc verb from the
surface: a floating view closes, a full screen goes back. Every existing
caller passes its hint explicitly and is untouched.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
The console's compact glyphs for REQ and RESPONSE read them as inbound
and outbound mail — ↓ for the ask, ↑ for the answer. That is the wrong
axis: what a reader is tracking is the exchange, not the mailbox, and in
an exchange the question goes out and the answer comes back.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Six disciplines measured the whole walk — how far it travelled, how far
out it reached, how many nodes it touched. None of them measured a single
link, and that is its own game: a node reached over a chain of short hops
scores far, not long, while one huge jump between two relays scores
nothing today.
Longest leg (🏹) takes the greatest distance the walk crossed in one hop,
both ends positioned. The measurement rides the loop that already sums
the circuit, so it costs nothing extra, and it carries the ids of the two
ends it spanned — our own end left null — so the record card can name the
link on THE path widget, ★ at home like every other route we draw. A
record set before the discipline existed simply has no leg lane.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
The 53-column mark's fourth row is the only row in either wordmark whose
colour lands on the dim bank (185;28;28 -> slot 1), and on the console it
came out part red, part light red: the M's right leg, E, S, H and the R's
right leg promoted, the M's left leg, T, E and the R's left leg not.
The split follows the bevels. The mark alternates letter blocks with slate
bevel spans, the bevel is slot 8 -- spelled 90, which on the VT sets the
intensity bit -- and the quantizer handed back a bare 31 for the blocks
after it. Bare, it keeps the bit and renders 91. Every leg that happened to
follow a bevel went light red; every leg that followed one of the row's few
resets stayed red. The .ansi art is one colour throughout; the promotion is
entirely on the way out.
So the fold's quantizer now states its intent the way the theme's dim-slot
styles already must: a dim slot leaves as 22;3N, never a bare 3N. Adjacent
art spans reset nothing between them, so this is the only place that can
know. It fixes the same latent promotion in a map raster, where two
neighbouring cells are exactly this pattern.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Water, its watercourses, parks and highways were literal hex, so the
PicoCalc fold picked their slots by nearest neighbour and lost the point
of each one: the dark blue landed on grey, the dark green on black, the
motorway amber on bright red. Same failure the node-type marks already
dodge by naming a style, so these do too — a map.* block in both themes,
resolved through mark_rgb like every other mark.
On the console water is now blue, every watercourse the bright blue one
rung up, parks green and highways brown. Truecolour is unchanged: the
named styles carry the same hexes they replaced.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
JP's spec for the heard-age scale, replacing the four-step ladder: white
under 5 minutes, then yellow at 5m, light red at 1h, brown at 1d, red at
1w, light grey at 1mo, and one cold grey for over a year — which is also
"never heard", since past a year the distinction stops earning a colour.
The `heat.*` styles are renamed for what they describe: a node heard
eight minutes ago is `heat.minutes`, one heard eight days ago is
`heat.days`. The old hot/warm/cool/cold read as temperature but had to
carry an age, and at seven rungs that stopped being sayable. The steps
themselves move into a table, so the ladder is one thing to read.
Three of the seven land in the VT's dim bank, so they say `not bold` — a
selected row would otherwise jump them a rung (brown to yellow, red to
light red), which is the one way a heat colour can lie about an age.
The splash wordmark's vertical ramp becomes white / yellow / light red /
red / light black, each picked to quantize onto exactly one palette slot
(15, 11, 9, 1, 8) while staying a warm fade in truecolour. Its rows are
art rather than renderables, so they had never passed through the fold
and the console was downsampling them on its own — they do now, which is
what makes the slot choice hold.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Two reports on the PicoCalc's message paths, one root cause each.
The graph drew an unnamed hop's hash — and the sender's name — as white,
the "you" colour. MapCanvas emits its own bold for markers and labels,
and its colours arrive already quantized to a palette slot; the kernel VT
then draws bold as *brightness*, so anything that landed in the dim bank
was promoted to its bright partner. Light grey became white. A purple
repeater would have become pink the same way. The canvas now drops
emphasis where bold is brightness — the colour is the load-bearing part.
The same trap reaches the theme through inheritance: Rich merges a row's
base style into every span, so a dim-slot span left silent about bold
changes colour inside a selected row. Every dim-slot style now says which
it means — `not bold` to keep its colour, `bold` where the promotion is
the point (only title.muted) — and a test forbids staying silent.
The pathline drew the same hop dark grey, because `muted` collapses onto
the console's dark grey while the desktop's is light. That conflated two
things: `muted` is chrome and may recede a step, but a node we can't
identify is content you can still act on. It gets its own name,
`node.unknown` — light grey, identical to today's desktop muted, so
nothing moves there — and it is what `name_style` returns keyless, what
an unlit `highlighted_hash` wears, and what the `○` ring is.
Also fixes a crash from the previous commit: the graph's label colour
resolved a marker through `parse_hex`, which the type marks' theme names
are not. A repeater relay we couldn't name would have raised.
The gallery's node-detail header spelled a marker hex by hand; it goes
through the app's own styles now, so a palette bug can't hide behind it.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
A platform's ceiling may change a rule's resolution, never the rule. P3
had picocalc colour node names by *type* instead of by key, so a name's
colour there meant something different than it does on the desktop — the
node's kind, not its identity. Both platforms now run one rule: the key's
first byte picks the hue. The console just spends fewer of them.
node_style gains the binding the heat scale already had. Regular keeps
the full 256-hue wheel; picocalc snaps the same hue to its sixth of it —
the six chromatic bright slots, ~43 first bytes each. It returns the
slot's own hex rather than a color(N), so every downsample on the way out
(Rich's, and the fold's quantizer) lands on that exact slot instead of
guessing a neighbour, and the callers that read an RGB back out of a
style string keep working.
The type marks needed the opposite treatment: their hues are fixed, not
derived, and a naive nearest-RGB match drained the repeater's violet to
grey — a repeater read as an unknown node. They move to the theme's
type.* entries so each platform picks its slot deliberately, and a
braille raster resolves the same entry through theme.mark_rgb, so the
canvas marker and its Rich-drawn twin can't drift.
With names off the type registry, nothing reads it: Platform.name_colour
and core/nodetypes.py go, along with the three reception-layer feeders.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Rebuild the PicoCalc F-key lane per JP's spec: five fixed 9-cell
chips (F1 DESCRI, "10" standing in for the overflow F10 label),
gray fill on the plain F1-F5 bank and green while Shift's bank is
showing, white text on both. DEFAULT_LANE moves to an
adjacent-plain-key priority model: commit/leave take the easiest-
to-reach F4/F5 with no Shift needed, jump-to-top/end take F1/F2
with paging as their Shift companions, and F3 stays the one lone
slot a screen's own lane reaches for first. FPair's Shift half is
now optional, so a lone slot renders blank in the shifted bank
instead of forcing an unrelated opposite action onto it.
Also bridges the on-device quirk where the MCU's F6-F10 translation
can appear to release Shift an instant before the translated code
lands, flipping the lane back mid-chord: modifier_watch now latches
shift_down() true for a short grace window after any F6-F10 press
resolves, on top of the raw watcher state.
Co-Authored-By: Claude Haiku 4.5 <noreply@anthropic.com>
The console keeps its stock kernel palette - black background, classic
PC hues - instead of the custom setvtrgb remap. MESH_THEME_16 is
re-tuned against the stock slots, which hands back the map's own
language for free: clients wear bright pink (13), repeaters purple (5),
rooms cyan (6), sensors brown (3). The cost is one dark grey - muted,
faint and track all collapse onto slot 8. Heat quantizes on plain human
units (15 min / 1 h / 1 day). The custom design is archived, not
deleted: theme._VT_SLOTS_CUSTOM + MESHTERM_CUSTOM_PALETTE=1 on the font
script reinstalls it, with the parity test keeping the two in sync.
Undoing the remap on the device exposed a trap: setvtrgb overwrites the
kernel's DEFAULT colormap, so the OSC palette-reset "resets" straight
back to the custom values - the script's default mode now programs the
stock palette explicitly (verified live; specimen screenshot in
.claude/plans/p3-specimen-stock.png).
The header also follows JP's spec: the handheld brands the app -
"MeshTerm vX" - instead of naming a soldered port that never changes,
and the activity pulse takes whatever room remains.
Also root-causes the intermittent suite flake: Rich memoizes a parsed
Style's ANSI codes on first render (Style.parse is globally cached), so
a raw hex style first rendered by a truecolor console replays 38;2
verbatim on a standard console later in the process. The specimen's
nodes row now wears the type.* theme styles - which is also just
correct: the marks now match the names row. Six consecutive clean
full-suite runs.
Deferred at JP's request: the glyph substitution map (he will redo it),
the F-key lane design (awaits his explicit spec), the CLI fold gap.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
- BatteryService grows the host provider (Platform.battery="host"): the
PicoCalc's own pack through the kernel power_supply driver - a true
percent and charging flag from sysfs, no voltage-curve estimation, no
radio connection needed. Unreadable supply = absent, gauge hidden.
- The console-font script now builds TWO 512-glyph PSF2 fonts: the 6x12
Terminus-based default (53x26) and a 6x8 A/B candidate (53x40) based
on the kernel's own font_6x8 (CP437 coverage - documented as having
no Cyrillic), with the braille block at 2px dot pitch and all 18
marks redrawn for the shorter cell. Built and verified live on the
Lyra: stty reports 53x40 under meshterm8, specimen legible
(.claude/plans/p5-specimen-6x8.png); flip with setfont, persist the
winner in vconsole.conf. JP judges the A/B by eye.
- calculinux-setup.sh puts the deploy user in input/dialout/video
(input is the modifier watch's /dev/input access).
- theme's platform binding now drops the fold table and cache on every
switch: its emoji pads bake in cell_len at build time, which the
regular platform's emoji-width calibration can re-measure - a stale
table survived platform swaps in randomized test runs.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The first P3 (a84abf3) ran on the wrong model and its palette never
reached the TUI: MESH_THEME_16 was written in 256-colour cube indices
instead of the 16 VT slots, and the platform theme pick was wired into
the scripted-CLI console while the real rasterizer stayed hardcoded to
truecolor. Replace it end to end:
- theme._VT_SLOTS: the canonical slot->RGB design (conventional hue
families kept; slots 5/6 become the track/faint slates), MESH_THEME_16
rewritten against color(0..15) with the VT's bold-as-brightness and
dim-bank-background rules pinned by tests. /etc/vtrgb + a boot oneshot
install it (console-font script), OSC fallback when kbd is absent.
- platforms.on_platform: set_platform now re-runs registered bindings,
so theme, rasterizer and widgets swap implementations once per switch
and hot paths read module globals - no per-call get_platform().
- The render-boundary fold (theme.fold_text): one str.translate pass
(NFKD accent folds - the Terminus base has no accented Latin - plus
symbol stand-ins and the width-padded emoji map), an embedded-SGR
quantizer for canvas truecolor, and a ?-at-own-width catch-all that
makes the no-wide-glyph short-circuit true by construction. Applied at
the only two places every visible byte passes: render_to_ansi and
MapCanvas.to_ansi_lines.
- ui/fontset.py freezes the installed font's inventory (dumped live);
the gallery now asserts rendered picocalc ANSI carries no truecolor/
256-colour SGR and no character outside it - the parity gate the
first attempt faked by asserting a dataclass field.
- Font build: nine new 6x12 marks (ellipsis, warn, backspace, shift,
gear, refresh, clock, crosshair, padlock) drawn into donor slots, with
donor misses now fatal and a keeper canary (donating pi once erased
Cyrillic pe - shared slot). Table re-dumped on-device: identical to
fontset.py, 519 = 519.
- Type-based name colouring: registry moved to core/nodetypes (services
no longer import ui), fed from monitor observations, heard_nodes and
merge_contacts. Heat gradient quantizes to heat.* steps on picocalc.
- ui/marks.py: the P2-deferred constant relocation - widgets no longer
drags map_render/mapcanvas/pathgraph for tuples and aliases.
- meshterm specimen: the visual language on one card through the real
funnels - the on-device acceptance screen (JP's request).
- tools/chat: delivered/no-ack state uses the standard check/query
marks, not the banned emoji pair.
Verified on the Lyra: font+palette installed, specimen framebuffer
captures in .claude/plans/. 1259 tests green, 13 xfailed (P6 list).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Add the PicoCalc visual system:
- MESH_THEME_16: 16-slot palette with deliberate RGB values for truecolor=False
- make_console(): picks theme based on platform.truecolor
- glyph(): central emoji→single-BMP-char mapping for the 512-glyph font
- Type-based name_style() and register_node_type() for PicoCalc colour (key→type)
- Text folding: fold_text() with NFKD accent stripping and emoji→placeholder
- Platform-aware icon rendering in packet_viewer, dashboard_screen, courier_screen
- Reception layer registers node types for colour lookup
- Gallery tests check truecolor constraint on PICOCALC
All 1239 tests pass; 13 xfail (P6 width worklist).
Co-Authored-By: Claude Haiku 4.5 <noreply@anthropic.com>
Node-identity colouring drew from an 8-entry palette, folding the first
key byte down with `% 8` so ~32 keys shared each hue and a handful of
nodes on screen often collided. Map the first byte straight onto the HSV
wheel instead — 0x00 red, sweeping the full spectrum to 0xff — at a fixed
saturation/value (0.65/0.95) tuned to stay vivid and readable on the dark
theme across every hue. All 256 first-byte values now give 256 distinct
hues.
Only node identity changes: node_style was the sole consumer of the old
NAME_COLORS palette, which is removed. The rest of the theme (brand,
status, SNR, battery, you-white) is untouched. Keying stays on the first
byte alone, so a 2-hex path hop and a full 64-hex key still agree — one
node, one colour everywhere. Red is no longer reserved out of the node
spectrum (0x00 = red), but node names are always bold and in name lanes,
distinct from the err-styled status marks.
Co-Authored-By: Claude Opus 4.8 <noreply@anthropic.com>
A new make_name_key_resolver (beside its trace_runner siblings) maps a
display name back to the node's key — contacts win, the recorder's
stored advert names fill in strangers — and name_style's keyless
fallback becomes muted: colour now always marks a keyed identity,
never a character-sum accident that two spellings of one node disagree
on. Wired through every keyless call site: the chat transcript's
sender headers and @mentions (a direct thread falls back to the peer's
key), the picker previews, the live feed's channel-sender lane, and
the route graph's origin label (new key_of hook on route_graph_style,
threaded through the packet viewer and Message paths). The chat
picker's contact dot switches to the standard companion pink — shape
still marks history — and contact labels take their key-derived hue.
name_rgb guards the muted style so braille canvases render the grey.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The per-node palette hue was keyed on the display name's characters; it
is now derived from the node's key — the first byte picks the colour, so
a 2-hex path hop, the stored 12-hex id, and the full 64-hex public key
all agree, and a rename keeps its colour. name_style grows a key
parameter (theme.node_style is the raw derivation); the name-character
fallback remains only for genuinely keyless senders (a channel message's
inline name). Keys are threaded through the path widget, the route
graph's labels, the atlas lists, the trophy case's far point and area
pins, and the packet viewer's node lane.
In the Nodes screen and the Time Machine (the shared node list, the
static CLI table, and the mesh page's arrivals), names drop their
recency-heat colouring for the node's palette hue; the heat now glows on
the HEARD/first-heard age lane instead, where the recency actually
lives. A nameless node's "unknown" placeholder stays muted — colour
marks a name, and the hash lane already carries the identity.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Two related passes on THE route graph (ui/pathgraph).
1. **Featured path is always white.** The Message paths dialog and the
Trophy case coloured their selected/scored path by reception SNR
(theme.snr_rgb). But on a graph that draws only *one* real path over a
grey backdrop, colour carried no comparison — it just competed with the
node-name hues on the same canvas. Drop the SNR tint: the selected/walked
path reads white (the single-walk convention), the unused paths grey.
Removes the now-unused theme.snr_rgb / _SNR_RGB and updates both captions.
2. **The packet viewer draws a relayed packet's route.** A `packet` frame
that actually crossed a relay now slots the fan-lane graph between its
parsed detail (heard/from/class/via) and its extras — origin → relays →
us, the same picture Message paths and the Trophy case draw. A direct
arrival skips it (its `direct — no relays` via row already says all there
is). render_body splits into head/tail grids sharing one label-lane width
so the rows stay aligned across the graph; the dashboard threads a
node-type resolver through so relays wear their map marker (▲, …).
Full suite green (806).
Co-Authored-By: Claude Opus 4.8 <noreply@anthropic.com>
Route graph (both the record card and the Message paths dialog):
- Relays now wear their own map marker — ▲ repeater, ■ room, ◉ sensor —
instead of a generic ●, via a node-type resolver threaded into
route_graph_style (built from contacts; an untyped relay keeps the dot).
- A shared node-type key (★ you ▲ repeater ● node ■ room ◉ sensor) sits
under every fan, minted once as widgets.node_type_legend.
- The drawn path is coloured by SNR (the SNR palette): the record's walk
by its weakest link, the Message paths selection by its reception SNR;
unselected paths stay gray. Per-path, not per-hop — overheard frames
only carry the reception reading.
Record card:
- New 'reliability' stat: the success rate of traces aimed at the walk's
far node (the one delivery figure history can answer — a failed trace
records its target, not its route), with the sample count beside it.
- Area drawing reworked per feedback: our star is drawn last so it is
never hidden, hops are pinned in their node-name hue (star stays
yellow), the fill is one flat tone (even-odd shades only the enclosed
side; no dimmer interior wash), and the box is larger.
New shared helpers: theme.snr_rgb, widgets.name_rgb,
trace_runner.make_node_type_resolver, repository.target_trace_counts.
Co-Authored-By: Claude Opus 4.8 <noreply@anthropic.com>
Add a one-cell braille battery indicator to the status bar, shown only when
the companion reports a pack. The cell fills bottom-to-top in four tiers —
green healthy, orange at a quarter, red near empty — with the true percent
beside it; it blinks red↔dim when critically low and sweeps a filling
animation while charging. A session-long BatteryService polls the pack,
maps millivolts to a state-of-charge estimate off a single-cell LiPo curve,
and infers charging from a rising terminal voltage (firmware exposes no
charging flag). The header pins the gauge flush right and the activity
pulse cedes exactly the cells it needs.
Co-Authored-By: Claude Opus 4.8 <noreply@anthropic.com>
highlighted_hash grows a width budget - shorter than the key shows an
ellipsis, shorter keys pad so lanes align - making it THE hash widget.
The chat sender palette moves to theme.name_style as the app-wide node
name colour rule; our own node is always the pure-white "you" style
(the nodes table's self row now follows it).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The SNR quality bars' unlit remainder now reuses the same full braille
cell as a lit step, dimmed to a new dark-gray track style, instead of
a plain "." placeholder — the meter reads as one glyph system, filled
in from a background rather than dots giving way to blocks. The
boundary half-step still carries the reading's own colour, since a
single character can't be split between it and the track.
Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>
- Dialog footer hints take the border's hue one shade darker (hint.*
theme styles), mirroring the brighter title tinting.
- Dialogs get a blank breathing row above and below the body whenever
it doesn't cost visible content.
- The chat conversation picker gains column headers over its lanes.
- The map screen titles itself "Map", matching its menu item.
- The config editor lays settings out in aligned SETTING / VALUE /
DESCRIPTION columns under a header line, and with changes staged the
Apply and Back rows sit together below the blank separator.
- Device actions move out of the config editor into their own screen
behind a new menu-only device-actions tool (CLI equivalents stay
under the config group).
- Type-to-filter keeps section headers (and column headers) in place,
and section jumps now work over the filtered rows too.
- The main menu aligns tool names and muted descriptions into two
columns, headerless.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Enforce one voice across every screen: column and section headers are
UPPERCASE, menu items are Capitalized buttons, and short descriptions
drop their trailing period (with real ellipses instead of "...").
Tools gain a display `title` separate from their kebab-case CLI name,
so a menu item now reads exactly like the screen it opens ("Device
configuration" opens Device configuration) and result windows inherit
the same name. Every sub-screen backs out via a "Back" row below a
blank separator (the config editor was missing both; its Close is now
Back, spelling out the discard when changes are staged), while the main
menu and device picker keep "Quit". Panel and dialog titles now wear a
brighter tint of their border colour via new title.* theme styles.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Reworks the startup device picker so it reads honestly at a glance:
- VENDOR is now just the hardware maker. A BLE advert rarely carries one
(confirmed against real hardware: the companion advertises no
manufacturer_data), so it stays blank instead of mislabelling the
transport "Bluetooth" as a vendor.
- A new TYPE column marks the transport with an icon: a plug emoji for
wired serial, and the Bjarkan rune the Bluetooth logo is drawn from,
rendered white on Bluetooth blue and flanked by half-block slivers so
it reads as a slim rounded badge.
- Every confirmed companion (not just the most-recent one) is shown by
the mesh node name learned at connect time, so a known COM11 reads as
its node name rather than the OS's generic "USB Serial Device".
- Confirmed companions sort to the top, most-recently-used first, and
wear their name in white so they stand out from merely-detected ports.
Co-Authored-By: Claude Opus 4.8 <noreply@anthropic.com>
Keep the Name/Heard/Pkts/Key labels pinned to the top row once the rows
scroll past them, and break metric ties by name ascending so equal-heard
nodes no longer flip between sort directions. Mute the packet count to
match the Heard column, and drop placeholder dashes to a darker gray so
they recede below the real values. Always list every node type in the
legend instead of only those currently present.
Co-Authored-By: Claude Opus 4.8 <noreply@anthropic.com>
Watch the companion link while the menu runs; if it disconnects, float a
centered dialog with a spinner and a single Abort button while a
background task retries the connection. The dialog dismisses itself the
moment the device returns, so the user's only action is to give up:
Enter aborts, and Esc is deliberately inert so a stray keypress can't
drop the session while a replug may be a second away.
Give every popup dialog the same cyan reverse-highlight button. This
adds a "selected" theme style (and "err.reverse"): Rich silently renders
a style string that mixes a theme name with an attribute ("reverse
brand") as plain text, so the reverse is baked into a single-name theme
entry instead. Center the button chips with manual padding rather than
Text(justify="center"), which strips a styled span's trailing whitespace
and left the label hugging the fill's left edge.
Co-Authored-By: Claude Opus 4.8 <noreply@anthropic.com>
Rename the package directory, imports, brand strings, env-var prefixes,
console-script entry point, and the config/data dir (~/.config/meshterm).
Co-Authored-By: Claude Opus 4.8 <noreply@anthropic.com>
