scripts/reels.py makes one vertical video of MeshTerm for each feature, from the demo mesh: 1080×1920, with subtitles in the picture and no sound, then a card with the wordmark and the website. The terminal has 72 columns, so its text is as large as a phone lets it be. It also writes a cover for the Reel and a caption for the post. The first video is the chat: the conversations, a live message, the paths of a message, a mention and its answer, and a link as a QR code.
screenshots.py now takes the grid of the terminal set as an argument, and its painter draws a full-width character that no font has (the "＃" of a hashtag channel) as its ASCII form, instead of a box.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
scripts/video.py runs the demo mesh headless in the terminal set of the screenshots, types a tour of less than two minutes, and records the screen 30 times a second. It paints each different screen in parallel, encodes the video with ffmpeg, and writes demo.mp4, its poster, and its play card into the website checkout's src/. The camera stops while the tour waits for something slow, so the video jumps over the wait.
screenshots.py gives the video its app runner, its environment, and an RGB painter. The terminal screenshots stay pixel-identical. The glossary gains "video frame".
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Measured against a real Montreal database: most messages arrive twice,
through the two repeaters a companion hears, on paths that share their
start and split near the end, with 3-byte hashes. The demo did five or
six short copies through five neighbours.
Our node now hears only two new rooftop repeaters, Villeray and
Rosemont (the terrain hides the big ones), companions lose 7 dB at street
level, and each sender has its own hash width (mostly 3 bytes). Now 91%
of messages arrive twice and 83% of paths use 3-byte hashes. Noor moves
to Côte-des-Neiges to stay in reach, and the traces leave through
Villeray or Rosemont.
The capture finds the Message paths message by its text (a key press
can be lost while the transcript draws) and selects the second path,
since the first is often a straight line.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
scripts/screenshots.py draws logo.71.ans and logo.53.ans, through the
splash's own loader and the emulator's Terminus raster, in the Campbell
colours, into docs/screenshots/splash/logo.<width>.png at one image
pixel per font pixel. The website takes its splash from there, so it
always shows the art that the app shows.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
scripts/screenshots.py runs MeshTerm --demo in the emulator's session,
with no window, and types its way to the main menu, the chat on Public,
the paths of a message, and the map. It saves each screen for the
terminal (80x24, drawn in Cascadia Mono with its own box, braille, and
Powerline shapes), the Cardputer Zero, and the PicoCalc (the emulator's
own raster, at 3x), into docs/screenshots/<set>/.
Two runs give the same pixels: the clock is pinned to 11:42 on Thursday
15 October 2026 in Montréal (time-machine and TZ), and the demo device
plays no background traffic during a capture (PLAY_BACKGROUND). Gabriel
in Beloeil joins the demo, so the message shown in Message paths
arrives on five paths through Mont-St-Hilaire, and the map opens at z10.
Pillow, fontTools, and time-machine join the dev extras.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Jean-Pierre MartineauandClaude Opus 5.5