The CLI had grown the menu's manners -- colour, boxes, section headings,
glyph columns, a closing check mark -- and every one of them is in the way
of the thing it is actually for. It now prints like a standard Unix
utility: plain text, no escape sequences at all, no frames, one record per
line, and nothing wrapped, so a long line runs off the right instead of
folding its fields onto a second one.
meshterm/ui/script.py is the whole vocabulary. Listings are an uppercase
header and space-aligned records; key/value blocks are sysctl's shape, and
a `get` prints the bare value alone. Names are quoted wherever they share a
line, because a name can hold a space or a comma and a bare one is not a
field. A route reads "Origin" (3d),"Relay" (f2),"Us" (a1) -- the hash
outside the quotes, our own node a hop like any other rather than a star,
since the hash is what carries the identity that colour carries on screen.
Times are absolute local ISO-8601 and "-" is the one token for absent.
The return value is now half the report: 0 ok, 1 failure, 2 usage, 3 no
device, 4 the device was reached and the operation failed, 5 nothing to
report. That last one is the point -- a command that ran fine and found
nothing prints nothing and says so in $?, so a script never has to count
output lines to tell an empty mesh from a full one. Errors and progress
moved to stderr, and an expected failure no longer arrives as a traceback.
Two things lose their scripted face rather than get a degraded one. The map
is a picture whose nodes are told apart by colour: monochrome it would be
unreadable, coloured it could not be piped anywhere useful, and the nodes
themselves are still in `contacts`. The QR codes are a second rendering of
a link the output already prints.
ui.ack joins ui.note to draw the line the change needed: a note is output,
an acknowledgement is reassurance a person wants and a script must filter
out, so the menu prints it and the CLI drops it.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Jean-Pierre MartineauandClaude Opus 5
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